Hannah Hoes Van Buren, Six of Diamonds
Oil and acrylic on canvas 70 x 56"
©1999 Tina Mion
History makes very little mention of Hannah Hoes Van
Buren. We know this: Hannah had blue eyes and spoke with a Dutch accent.
Hannah and her husband Martin spoke Dutch at home. She bore four sons
to Martin and died of tuberculosis at the age of thirty-five, seventeen
years before her husband became President.
Hannah’s daughter-in-law Angelica Singleton
Van Buren served as First Lady and secured her own place in history, but
Angelica does not interest me — these paintings are about our Presidents’
wives: alive, dead, or in the shadows. With so little source material
on Hannah, I decided to use her early death to explore larger themes:
fleeting youth, the fragility of life, the inevitability of death. I gave
Hannah red hair — her husband was a redhead, she was Dutch; maybe
it was true. I put a young, thin-waisted Hannah on a horse riding on a
trail of broken Delft tiles, riding out of the painting and out of history.
In the landscape is a skull — a frequent art symbol for mortality
— and a small windmill. The windmill represents all things Dutch,
a reminder that the USA has always been a melting pot of immigrants.
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